A POINTCAST PUBLICATION / OPENING SHIFT
What work does to a life, and what a life does back.
A PointCast publication about jobs, tools, ambition, boredom, management, money, lunch, clothes, commutes, exits, and the emotional weather of getting something done.
PLAY ISSUE 001 ↗ ISSUE 001 / MONDAY, AUGUST 3 / BLOCK 0555
It’s just another Manic Monday.
Eighteen tracks for clock-in comedy, friction, flow, identity, and the part where work has to return you to your actual life.
Monday is the opener, not the subject. The subject is the whole arrangement: what we do, what it costs, what it gives us, and who is still there when the screen goes dark.
- tracks
- 18
- runtime
- 1 hr 10 min
- opening song
- The Bangles
THE PUBLICATION / SIX DESKS
The job is never only the job.
WORK/LIFE follows the working day outward: into bodies, rooms, relationships, neighborhoods, money, tools, taste, and time.
- 01
The Shift
Routines, commutes, calendars, uniforms, clocks, and the choreography of beginning.
- 02
Office Weather
Culture, management, meetings, morale, power, and the pressure nobody put in the deck.
- 03
Tool Drawer
Software, notebooks, machines, shortcuts, policies, and objects that change the job.
- 04
Lunch
Breaks, third places, desk food, walks, friendship, and the small return of the self.
- 05
Payroll
Rates, value, benefits, credit, ownership, precarity, and what the number leaves out.
- 06
Exit Interview
Quitting, changing course, retirement, reinvention, refusal, and the life after the title.
EDITORIAL PROMISE / V1
Useful, funny, reported, alive.
- 01Start with a real behavior, object, tension, or working day.
- 02Keep labor, management, ownership, and risk visible.
- 03Make every issue pleasurable enough to read off the clock.
- 04Give the human page a machine-readable twin and a permanent receipt.
ON THE WORKTABLE / OPEN BRIEFS, NOT PUBLISHED STORIES
The desk we bring home. Lunch isn’t a bug. Forty-seven tabs and one physical notebook.
WORK/LIFE publishes when there is a working truth worth keeping. Monday is an opening scene, not the publication boundary.