Eighteen songs that begin picky and plucky, cross through country-pop and the bright side of the 1970s and 1980s, touch the present tense, and land grateful.
Updraft is a curve, not a genre: wood and wire first, one brave crossover, open-road lift, then the porch again.
The first four songs make the promise. Track six crosses the aisle.
Tracks fourteen and fifteen keep the canon from becoming a museum.
The final three walk home.
01
MOVEMENT 01
Pick up from the porch
Wood, wire, and a loose wrist. The morning starts human-sized.
Cheerfulness can arrive fully inflated. Uplift needs a surface to push
against. Here that surface is picked string, live-room patience, a
country-pop door that opens without apology, and the exact moment an
old song becomes morning equipment again.
The sequence keeps the Grateful Dead and Jerry Garcia as gravity, not
costume. No bears. No skulls. Just ensemble time, wood, wire, room, and
the useful feeling that the day might answer back.